Tuesday, May 27, 2008

An interlude for the Visual Arts

Visual arts are a secret pleasure of mine: I took my first watercolor classes about ten years ago at the urging of a close friend and was immediately drawn to the fluid color and interactive freedom of the medium as a contrast to my work with data and computers. 'Feeling like I needed to be able to be able to draw in order to do pen and wash sketches while traveling, I moved on to elementary drawing classes, then to life-drawing classes. The expressive shadows and gentle arcs inherent in the human figure were much more pleasing to draw than still-life, and i still enjoy a session to apply charcoal to paper when i can find it.

As someone who was told throughout school that I was hopeless at art, it became personally gratifying to create credible and satisfying works. It also gave me a much deeper appreciation for the difficult processes that other artists go through while composing and correcting their works. I really enjoy the series of odd exploratory sketches, where lines are moved around to get shape and shadow correct: it's the same issues I struggle with (only my resolutions aren't nearly so satisfying!).

I've collected galleries of my favorite artist's works as inspiration and examples over the years, and pushed them up to Windows Spaces over the last few days where I could reference them here. Each picture, below, should open onto a larger gallery of works. It's impossible to attribute sources for all of these images, collected over years, but many can be found quickly using an image search engine or Artcyclopedia.

The root links for the gallery are here. I'll maintain and grow this archive over time, It's a very human gallery of creativity and beauty.

Henri Matisse: Able to capture the essence of a figure or their expression with complete economy of line and unmistakable style.

JMW Turner: Hamilton's excellent biography of the artist describes a very gifted and universal talent, able to compose in almost any style with unerring accuracy. His watercolor landscapes, lit by diffuse light and contrasting areas of blur and detail, are fascinating

Italian Sanguine: Classical artists were able to accomplish a lot with only line and shade. They contrast with Matisse's simplicity, elegant works that demonstrate the ideal form expressed from a detailed complexity.

Wolf Kahn: A contemporary artist working in pastel. I like the way he blends color in surprising ways, drawing the best from the powdery medium, always with strong subjects and bold forms.

Marc Chagall: A bit like pen-and-wash, with rough figures superimposed on pale colored backgrounds. The overall effect is childish and dream-like: I feel these paintings more than I study them.

Blue Riders: A group of German painters from the early 20th century, among the first to explore bold color and block forms. I like the anthropomorphized animals and unusual colors that bring life to the characters in their images.

Odilon Redon: A symbolist painter who makes great use of contrasting vivid blue on gold. The details almost get lost in the glare, but the paintings have emotional clarity and impact.

y1puqnLMl5bbXy6f280JOYREKDunjT4Q7MPYiPPTKoY-Jg58YbFy7GNliwPo-kS_-ZLYJ4EnaFskdg[1]Claude Monet: As i travel around Europe, I am forever finding places that Monet called his own. It's always exciting to stand in front of a landscape, such as the stone arch at Etretat, and to compare it with the Impressionist's renderings.

Joan Miro: His paintings are all wire and weight, almost an artists rendering of a Calder mobile. They are simple at first, but vibrate with textures and hidden depths as I watch them.

Paul Cezanne: He uses color in blocks like the Riders, but on a much smaller scale that yields a prismatic effect of building images from colored hips of glass. It's a different painting at close, middle, and far distances, colors and shapes combining in steps and clusters.

Life Drawing: As I started drawing the human figure, I became fascinated with the arc and curve of the body, with the variety of expressions in pose, and the challenge of bringing out human qualities in static two-dimensions. This series captures works by a variety of artists who achieve these ends is many, many ways.

Figurative Drawing: The human figure made both indistinct and sharp-edged; vivid distortions of shape and color, and a strong emotional undercurrent. These are the works I would love to be able to create.

Paul Gauguin: An European expatriate living in Tahiti who created colorful native scenes of people and ritual in Tahiti. Although they appear simple, his paintings capture deeper spiritual and psychologic themes of life and death, primitive and modern.

Wassily Kandinsky: A logical and liguistic stylist who creates abstract narratives full of hidden meaning. The lines and shapes are, in fact, understandable once you learn his very deliberate language, which makes them more satisfying to me than completely abstract works.

James Whistler: His Nocturnes are hazy explorations of twilight and fog, soothing and reflective. He said that he captured his painting in the brush before applying it to canvas: the strokes are worth close inspection.

Edvard Munch: Emotionally charged, often troubling expressions of pain and tragedy. The art is not sophisticated, but it is often very moving.

Pre Raphaelites: While these have become a cliche for romantic storybook paintings, Millais' jewel-like representations of myth and Rossetti's infatuated paintings of Liddy Siddal are wonderful examples of narratives rendered into artistic images.


Textual Healer said...

Hey Dave

thats a pretty comprehensive list. Many of my favourites there too. Yous houdl check ut te articles and texticles blog that's linked off my blog - nearly exclusively about art (and animation). The author of that recomended me the American prints ('20s -'60s) expo at the British Musuem - which I duly went to today and thoroughly enjoyed. Several Hoppers and Pollocks but many lesser knwin artists too

Dave Hampton said...

Thanks for the link: I do like the pictures and commentary on the site. I've been looking for good sites that review and comment on the visual arts, but they've been scarce.

The K20 museum in Dusseldorf is also strong in those artists, but they've taken the collection off-line for a renovation. The exhibition that you reference at the British Museum looks great, and it's on all summer so there's time to see it. Thanks!